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måndag 25 juni 2012

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Sensational Young Pianist Performs in Season Finale of the Simon Sinfonietta

Sara Daneshpour Photo #4
The Simon Sinfonietta’s 2011-2012 season culminated on Saturday, June 2 with featured soloist Sara Daneshpour performing Mozart’s D minor Piano Concerto No. 20, K466. Music Director and Conductor Stephen Simon paired this concerto with two additional works to complete the Sinfonietta’s season of adventure: Stravinsky’s Symphony in C and Schumann’s Symphony No. 1 in B-flat major, The Spring. The concert was given at Falmouth Academy in Falmouth, MA. Photograph at left by Stephanie Lane.
Maestro Simon, who introduced the brilliant young violinist Jorge Avila as soloist earlier in the season, once again presented to Cape Cod audiences a rising star from the international music scene. Sara Daneshpour came to national attention when she won First Prize in the American Beethoven Society Young Pianists Competition nine years ago at age 13. Daneshpour went on to win several international competitions and perform in major venues around the world, including the Kennedy Center, Carnegie Hall, and the Great Hall of the Moscow Conservatory. The Washington Post wrote of her 2007 solo performance with the Baltimore Symphony Orchestra, "She created transfixing poetry.”
Concerto No. 20 of Wolfgang Amadeus Mozart (1756-1791) permitted Maestro Simon an ideal setting to showcase Sara Daneshpour’s individuality and her gift for emotional expression. The concerto has been embraced by audiences since its premier in Vienna in 1785 with Mozart himself as soloist, and it is laden with musical power and meaning. Mozart musicologist Friedrich Blume saw this work—with its rich Canaletto Painting of Location where Mozart's Piano Concert No. 20 was first performed
orchestration and complex interrelationships between solo performer and orchestra— as a distinctive turning point toward the modern concerto. In the masterpiece Mozart moves boldly beyond the formal strictures of the day to express individuality. He speaks freely with “the language of the heart” and, through the concerto’s stormy passages, he anticipates Romanticism and the winds of change that were to sweep the world. In this painting by Canaletto, we can see Vienna's Haus zur Mehlgrube pictured on the right side of the street. This is the location of Concerto No. 20's premiere with Mozart himself as soloist.
The concert opened with Igor Stravinsky’s Symphony in C, composed in the late 1930s, a period of great turbulence in the life of the composer, as well as in the world at large. Stravinsky (1882-1971) left Europe 481px-Igor_Stravinsky_as_drawn_by_Pablo_Picasso_31_Dec_1920_-_Gallica
for America in 1939 at the outbreak of World War II. He carried with him the first two movements of Symphony in C and completed the third movement in Cambridge, MA, during a lecture stop at Harvard University before moving on to Hollywood where he resided for many years. While Stravinsky’s life journey took him from Czarist Russia to Southern California, the range of his musical brilliance— from 19th-century musical nationalism to 20th-century 12-tone serialism—is no less staggering. In its objectivity and emotional detachment, Symphony in C is an excellent example of Stravinsky’s neoclassical period, where he rejects Romanticism and looks for inspiration in the classicism of the 18th century. Stravinsky is pictured at left in a drawing by Picasso.
The program concluded with a delightful composition by one of the purest of Romantics, Robert Schumann (1810-1856). Composed in 1841 at the dawn of his long-sought marriage with the young musical sensation Clara Wieck, Symphony No. 1 in B-flat major, Op. 38, Spring, is full of youthful intensity and personal lyricism. Trained as a lawyer, working initially as a music critic, and lacking any obvious genius for performance, Schumann did not 170px-Clara_Schumann_(Andreas_Staub)_freigestellt achieve international status in his day and he has been both championed and overlooked since that time. What is not disputed is that Schumann’s music expresses emotion with unfettered creativity in a manner that transcends his historical period. In Schumann’s own words, the mission of his music was to “shed light on the depths of the human heart.” The symphony’s premiere took place under the baton of Felix Mendelssohn on March 31, 1841 in Leipzig.
The Simon Sinfonietta
Simon Sinfonietta 039 mm (3) 3 31 12 Concert Maestro Stephen Simon, Bonnie Ward Simon, Clarinetist Mark MillerThe Simon Sinfonietta is a chamber orchestra of approximately 40 professional members founded in 2004 by Stephen Simon, the internationally recognized conductor who directed the Kennedy Center’s Washington (D.C.) Chamber Symphony for 26 years. The Sinfonietta includes many of the finest professional musicians within the Providence-Boston-Cape Cod triangle. Proceeds from the Sinfonietta’s performances benefit Falmouth Academy, Historic Highfield, and the Cape and Islands NPR® Station WCAI. Pictured at left are Maestro Stephen Simon, Bonnie Ward Simon, and Mark Miller, clarinet soloist in the Simon Sinfonietta's March 31 concert.

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